The 5 Most Memorable Moments From Lisa's ‘ROCKSTAR’ Music Video
BLACKPINK’s Lisa made her highly anticipated solo comeback after three years with the single “ROCKSTAR” on June 28, marking the first release under her own record label, LLOUD. The track featured a visually stunning music video highlighting her unique charm and Thai roots, delivering a captivating and delightful experience for the viewers.
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Let’s delve into the five most iconic and memorable moments from the “ROCKSTAR” music video.
Empty Chinatown
The most memorable moment from the “ROCKSTAR” music video is the empty street scene masterfully cinematographed by Mauro Chiarello. This scene was shot in the famous Yaowarat Market in Chinatown, Bangkok, Thailand, which is always busy and extremely crowded.
Doppelgangers Dancers
Lisa, accompanied by a large group of Thai dancers, performs in flawless synchronization wearing matching white hooded garments—a defining highlight of the “ROCKSTAR” music video. These dancers were carefully chosen through auditions.
The Dance Break
Lisa is a renowned dancer, and her formidable dance skills are visible throughout the “ROCKSTAR” MV choreographed by Sean Bankhead. Particularly her mesmerizing dance break, adorned in a striking silver outfit with flowing hair, astounded everyone.
LGBTQ Representation
In June, Thailand legalized same-sex marriage. During the very month, Lisa showcased powerful LGBTQ representation in her “ROCKSTAR” MV, which is nothing short of iconic. The video prominently features three influential Thai transgender women: Bruze Kachi-Sarah, Aeffy, and Chinni.
Rap Part
Lillies wanted their favorite singer Lisa to rap, and she states, “It’s a fast life; it’s an attitude.” Her fierce rap in “ROCKSTAR” well-presented her skills as a rapper, with fans commenting, “Lisa did not come to play.”
Lisa’s “ROCKSTAR” music video perfectly displays her incredible talent and star power. Fans can’t help but be mesmerized by her performance, making “ROCKSTAR” a standout addition to Lisa’s already impressive portfolio.
